Peter Fischli

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Installation view of “Stop Painting,” 2021. Fondazione Prada, Venezia. Courtesy Fondazione Prada. Photo: Marco Cappelletti. Foreground: Peter Fischli, Modellone, 2021. Background: Emil Michael Klein, Curtain, 2021.

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“Was the recurring ghost telling the story of the end of painting a phantom problem? And if yes, can phantoms be real?” –Peter Fischli

“Stop Painting” is an exhibition conceived by artist Peter Fischli on view at the historic palazzo of Ca’ Corner della Regina, Fondazione Prada’s Venetian venue, from 22 May to 21 November 2021. The press preview will take place on Wednesday 19 May.

Described by Peter Fischli as “a kaleidoscope of repudiated gestures”, the project explores a series of specific ruptures within the history of painting in the last 150 years, intertwined with the emergence of new social factors and cultural values. The exhibition also intends to understand if the current digital revolution can also cause a new crisis of painting or, on the contrary, contribute to its renewal.

Fischli identified five radical ruptures caused by technological and social changes that marked artistic paradigm shifts through rejection and reinvention of painting.

The artist conceived this exhibition divided in 10 sections as a plurality of different narratives told by himself in the first person. The show begins on the ground floor of Ca’ Corner della Regina with a new site-specific artwork by Fischli that consists of a scaled-down model of the entire project, defined by the artist as “a sculpture of a painting exhibition”. “Stop Painting,” which brings together more than 110 artworks by over 80 artists, unfolds on the first floor of Ca’ Corner della Regina following not a chronological order, but a personal and idiosyncratic approach.

Installation view of “Stop Painting,” 2021. Fondazione Prada, Venezia. Courtesy Fondazione Prada. Photo: Marco Cappelletti. Foreground: Peter Fischli, Modellone, 2021. Background: Emil Michael Klein, Curtain, 2021.
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«,»copyright»:»»,»path_square»:false,»path_large»:»/uploads/upload.002/id20524/article04_1064x.jpg»,»crops»:{«original»:{«270″:»/uploads/upload.002/id20524/article04_270x.jpg»,»430″:»/uploads/upload.002/id20524/article04_430x.jpg»,»810″:»/uploads/upload.002/id20524/article04_810x.jpg»,»1064″:»/uploads/upload.002/id20524/article04_1064x.jpg»}},»path_original_crop»:»/uploads/upload.002/id20524/article04_1064x.jpg»},{«path»:»/uploads/upload.002/id20524/article05.jpg»,»id»:384241,»name»:»article05″,»mimetype»:»image/jpeg»,»width»:1064,»height»:709,»ord»:0,»caption»:»*Installation view of “Stop Painting,” 2021.Fondazione Prada, Venezia. Courtesy Fondazione Prada. Photo: Marco Cappelletti. Foreground, from left: David Hammons, _Untitled_, 2008; Martin Kippenberger, Albert Oehlen, _Orgonkiste bei Nacht_, 1982. Background: Walter De Maria, _Silver Portrait of Dorian Gray_, 1965.»,»caption_formatted»:»Installation view of “Stop Painting,” 2021. Fondazione Prada, Venezia. Courtesy Fondazione Prada. Photo: Marco Cappelletti. Foreground, from left: David Hammons, Untitled, 2008; Martin Kippenberger, Albert Oehlen, Orgonkiste bei Nacht, 1982. Background: Walter De Maria, Silver Portrait of Dorian Gray, 1965.»,»copyright»:»»,»path_square»:false,»path_large»:»/uploads/upload.002/id20524/article05_1064x.jpg»,»crops»:{«original»:{«270″:»/uploads/upload.002/id20524/article05_270x.jpg»,»430″:»/uploads/upload.002/id20524/article05_430x.jpg»,»810″:»/uploads/upload.002/id20524/article05_810x.jpg»,»1064″:»/uploads/upload.002/id20524/article05_1064x.jpg»}},»path_original_crop»:»/uploads/upload.002/id20524/article05_1064x.jpg»},{«path»:»/uploads/upload.002/id20524/article06.jpg»,»id»:384242,»name»:»article06″,»mimetype»:»image/jpeg»,»width»:1064,»height»:709,»ord»:0,»caption»:»*Installation view of “Stop Painting,” 2021.Fondazione Prada, Venezia. Courtesy Fondazione Prada. Photo: Marco Cappelletti. Foreground: Marcel Broodthaers, _Dix-neuf petits tableaux en pile_, 1973. Background, from left: Michael Krebber, _MK.163_, 2011; Asger Jorn, _The Sweet Life II (La Dolce Vita II)_, 1962; Gerhard Richter, _Farbtafel_, 1966; Honoru00e9 Daumier, _Marche funu00e8bre!! / Nu00ba2_, 1855; Kurt Schwitters, _Still Life with Flowers and Tin Plate_, 1914.»,»caption_formatted»:»Installation view of “Stop Painting,” 2021. Fondazione Prada, Venezia. Courtesy Fondazione Prada. Photo: Marco Cappelletti. Foreground: Marcel Broodthaers, Dix-neuf petits tableaux en pile, 1973. Background, from left: Michael Krebber, MK.163, 2011; Asger Jorn, The Sweet Life II (La Dolce Vita II), 1962; Gerhard Richter, Farbtafel, 1966; Honoru00e9 Daumier, Marche funu00e8bre!! / Nu00ba2, 1855; Kurt Schwitters, Still Life with Flowers and Tin Plate, 1914.»,»copyright»:»»,»path_square»:false,»path_large»:»/uploads/upload.002/id20524/article06_1064x.jpg»,»crops»:{«original»:{«270″:»/uploads/upload.002/id20524/article06_270x.jpg»,»430″:»/uploads/upload.002/id20524/article06_430x.jpg»,»810″:»/uploads/upload.002/id20524/article06_810x.jpg»,»1064″:»/uploads/upload.002/id20524/article06_1064x.jpg»}},»path_original_crop»:»/uploads/upload.002/id20524/article06_1064x.jpg»},{«path»:»/uploads/upload.002/id20524/article07.jpg»,»id»:384243,»name»:»article07″,»mimetype»:»image/jpeg»,»width»:1064,»height»:681,»ord»:0,»caption»:»*Installation view of “Stop Painting,” 2021.Fondazione Prada, Venezia. Courtesy Fondazione Prada. Photo: Marco Cappelletti. From left: Alberto Burri, _Plastica_, 1962; David Hammons, _Pissed Off_, 1981; Boris Lurie, _NO-ON_, 1962.»,»caption_formatted»:»Installation view of “Stop Painting,” 2021. Fondazione Prada, Venezia. Courtesy Fondazione Prada. Photo: Marco Cappelletti. From left: Alberto Burri, Plastica, 1962; David Hammons, Pissed Off, 1981; Boris Lurie, NO-ON, 1962.»,»copyright»:»»,»path_square»:false,»path_large»:»/uploads/upload.002/id20524/article07_1064x.jpg»,»crops»:{«original»:{«270″:»/uploads/upload.002/id20524/article07_270x.jpg»,»430″:»/uploads/upload.002/id20524/article07_430x.jpg»,»810″:»/uploads/upload.002/id20524/article07_810x.jpg»,»1064″:»/uploads/upload.002/id20524/article07_1064x.jpg»}},»path_original_crop»:»/uploads/upload.002/id20524/article07_1064x.jpg»}]» :videos=»[]» artists=»Peter Fischli» title=»Stop Painting» venue=»Fondazione Prada»>

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