September 2021

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Mahmoud Khaled, Proposal for a House Museum of an Unknown Crying Man (detail), 2017, mixed media.

Artforum turns to efforts by artists, historians, and curators to rethink the underpinnings of these vaunted institutions


Opening of the Studio Museum in Harlem, New York, 1968. From left: Eleanor Holmes Norton, Carter Burden, Charles Inniss, Campbell Wylly, Betty Blayton-Taylor, Frank Donnelly. Photo: Jill Krementz.

A Studio Museum Roundtable


Giuseppe Panza’s unauthorized and decommissioned 1988 fabrication of Donald Judd’s copper untitled, 1974, Sala Luigi di Pietro, Milan, 1988.

Christine Mehring on the Panza Collection Initiative


Mahmoud Khaled, Proposal for a House Museum of an Unknown Crying Man (detail), 2017, mixed media. Installation view, Ark Kültür, Istanbul.

Julia Bryan-Wilson on Queer and Trans Artists’ Museums


Hilma af Klint at the Royal Academy of Fine Arts, Stockholm, 1885.  © The Hilma af Klint Foundation.

Daniel Birnbaum on Hilma af Klint’s institutional imagination


Ouattara Watts, Vertigo #2, 2011, acrylic, paper pulp, fabric, and fur on canvas, 9' 10 1⁄4

Kaelen Wilson-Goldie on the art of Ouattara Watts


Yuji Agematsu, zip: 02.15.20, mixed media in cigarette-pack cellophane wrapper,  2 1⁄2 × 2 1⁄8 × 1

Yuki Higashino on Yuji Agematsu’s zip: 01.01.2020 . . . 12.31.2020


Shuang Li, Marry Me for Chinese Citizenship, 2015, ink-jet print, 15 3⁄4 × 23 5⁄8

Travis Jeppesen on Shuang Li

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