Sophie SRII

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How could presumably per chance an intimate relationship to sound, frequency, and vibration dispute how we favor part in shaping collective replace? Centering improvisatory experimentation, ingenious intimacy, process, reminiscence, and Unlit temporalities, three Bay House sound artists compare sonic interplay as an embodied liberation note for co-creating new realities. Performing artist and cultural worker Sarah Cargill is joined by composer and scholar Amadeus Julian Regucera, and installation artist and sound engineer Leviathe (Lien Attain): a deconstructed ensemble, reimagining the prospects of ensemble-based instrumental performance. The assortment culminates Friday, March 19 at 6 p.m. in a various broadcast on SFMOMA’s YouTube channel, adopted by a dwell Q&A with the artist, subsidized by the San Francisco Arts Rate and introduced in collaboration with SFMOMA’s Public Engagement division.

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