Summer 2021

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Hank Willis Thomas, Remember Me, 2014, neon, 23 5⁄8 × 59 1⁄8

Artforum has invited some of our leading theorists, curators, artists, and museum directors to consider how art institutions might evolve


Students observing Pablo Picasso’s Guernica, 1937, Warburg Hall, Fogg Museum, Harvard University, Cambridge, MA, 1941. Photo: Exhibition Records (HC 6), folder 2038. Harvard Art Museums Archives, Harvard University, Cambridge, MA. 

Thomas Crow envisions a more “modest” museum


Paintings for the Art Fund of the Museum of Artistic Culture in the Museum Bureau of IZO Narkompros collection, Moscow, 1919–20.  © Encyclopedia of the Russian Avant-garde. 

Alex Kitnick on the avant-garde museum


Heneghan Peng, Palestinian Museum, 2017, Birzeit. Photo: Iwan Baan.

Hanan Toukan and Adila Laïdi-Hanieh on the Palestinian Museum


Ken Lum, Melly Shum Hates Her Job, 1989, billboard. Installation view, Witte de With Center for Contemporary Art (now Kunstinstituut Melly), Rotterdam, 2013.

Sofía Hernández Chong Cuy on Kunstinstituut Melly


View of “Promise, Witness, Remembrance,” 2021, Speed Art Museum, Louisville, KY. Center: Amy Sherald, Breonna Taylor, 2020. Photo: Bill Roughen.

Huey Copeland and Allison Glenn on “Promise, Witness, Remembrance”


Hampton University Museum, Virginia, 2016. Center: Henry Ossawa Tanner, The Banjo Lesson, 1893. Photo: Alexander Kravits.

Jessica Lynne on art and historically Black colleges and universities


Giovanni Bellini, St. Francis in the Desert, ca. 1476–78, oil on panel. Installation view, Frick Madison, New York, 2021. Photo: Joe Coscia.

Jeffrey Weiss on Frick Madison


Ralph Lemon, Rant #3, 2020. Performance view, the Kitchen, New York, February 29, 2020. Ralph Lemon. Photo: Ralph Lemon.

Tim Griffin, Ralph Lemon, and Sarah Michelson reflect on the status of the alternative space

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